How you can Grip A Drawing Pencil
In case you dont possess the correct grip, your drawings will likely be flat. By way of example, my drawings are greater than just lines. I also use shadows, dots, squiggles and broad strokes, both bold and light. Variations that add depth. I do these all making use of distinct grips. The grips broaden the drawing!
Here are the grips I use.
THE CONDUCTOR
This grip is light, pencil-flat and far from the point . . . the farther back in the point the far better which is why I use a pencil extender. This grip lets the pencil only lightly touch the paper like a conductors baton skirts the air. I use this grip to create LIGHT strokes which could be WIDE when the point is sharp as well as the lead lays flat around the paper.
THE NUN
This grip is just like the Conductor but using a fore finger on prime. Now you've the identical reach and also the very same angle but having a little a lot more downward force like a college nun calls for to rap your knuckles with a ruler. I use this grip to produce DARK strokes which might be WIDE when the point is sharp and also the lead lays flat on the paper.
THE DICTATOR
This grip is tight, pencil-upright and close towards the point just like the second-grade teacher who clenched her teeth and slapped her hand on my desk trying to teach me penmanship! I use this grip to produce lines which are the DARKEST, the PRECISEST and the FINEST when the point is sharp.
THE DUDE
One of the most widespread and versatile this grip is relaxed, pencil-tilted-back and halfway to the point like a surfer who lives the summer life on 1 hand but operates challenging within the water on the other. I use this grip to produce lines that are LIGHT or DARK, Brief or FLOWING, LOOSE or PRECISE.
Now get a grip!
Thanks for reading. Verify back quickly. Next time Ill write about taking your drawing board for any spin. . . . Pay Focus!!
Mike teaches art at the Pennsylvania State University CFAC at University Park, PA. He's also an award-winning portrait artist who draws and paints portraits from pictures accessible for commission online at
In case you dont possess the correct grip, your drawings will likely be flat. By way of example, my drawings are greater than just lines. I also use shadows, dots, squiggles and broad strokes, both bold and light. Variations that add depth. I do these all making use of distinct grips. The grips broaden the drawing!
Here are the grips I use.
THE CONDUCTOR
This grip is light, pencil-flat and far from the point . . . the farther back in the point the far better which is why I use a pencil extender. This grip lets the pencil only lightly touch the paper like a conductors baton skirts the air. I use this grip to create LIGHT strokes which could be WIDE when the point is sharp as well as the lead lays flat around the paper.
THE NUN
This grip is just like the Conductor but using a fore finger on prime. Now you've the identical reach and also the very same angle but having a little a lot more downward force like a college nun calls for to rap your knuckles with a ruler. I use this grip to produce DARK strokes which might be WIDE when the point is sharp and also the lead lays flat on the paper.
THE DICTATOR
This grip is tight, pencil-upright and close towards the point just like the second-grade teacher who clenched her teeth and slapped her hand on my desk trying to teach me penmanship! I use this grip to produce lines which are the DARKEST, the PRECISEST and the FINEST when the point is sharp.
THE DUDE
One of the most widespread and versatile this grip is relaxed, pencil-tilted-back and halfway to the point like a surfer who lives the summer life on 1 hand but operates challenging within the water on the other. I use this grip to produce lines that are LIGHT or DARK, Brief or FLOWING, LOOSE or PRECISE.
Now get a grip!
Thanks for reading. Verify back quickly. Next time Ill write about taking your drawing board for any spin. . . . Pay Focus!!
Mike teaches art at the Pennsylvania State University CFAC at University Park, PA. He's also an award-winning portrait artist who draws and paints portraits from pictures accessible for commission online at
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